He was particularly close to Asger Jorn, who introduced Lam to Albissola, a town on the Italian coast where he would create works until the end of his life. The exhibition begins with works produced during Lam’s early years as an artist in Spain following his training in Havana and Madrid. Questo slideshow richiede JavaScript. The arts partnership has already supported a catalogue of hugely successful and widely acclaimed exhibitions, all of which shed new light on major figures and moments in art history. "Césaire, Lam, Picasso, Nous nous sommes trouvés," Galerie nationales du Grand Palais, Paris, France, March 16–June 6, 2011. Including over 200 paintings, drawings, photographs and prints, the exhibition traces his six decade career from the 1920s to the 1970s, confirming his place at the centre of a cosmopolitan modernism. For press information contact Emma.Double@tate.org.uk or Cecily.Carbone@tate.org.uk or call +44(0)20 7887 4942/8731. His artistic activity expanded as he began experimenting with new techniques such as lithography. Throughout his career, Lam received important awards and recognitions from prestigious institutions such as the Guggenheim International Award, and the Kunsthalle in Basel, the Kestner-Gesellschaft in Hannover, the Moderna Museet in Stockholm, and the Palais des Beaux-Arts in Brussels. '', Mr. Bearden added that ''Lam is certainly considered in Europe as of one of the 20th-century masters, along with Leger, Braque, Matisse and Picasso. Wilfredo Lam, a Cuban-born Surrealist painter who lived in Europe, has died at his home in Paris, friends said Saturday. For that reason, his work does not belong to any particular art movement.[1]. The exhibition reappraises Lam’s major works within the cultural and political context after he returned to Cuba in 1941. Press Release Since his death in 1982, Wifredo Lam has proven Picasso right when he said that he was a great painter and poet who was able to compete separately in a century already amply supplied with exceptional artists. Retorno al país natal, with a preface by Benjamin Péret and three drawings by Lam, was published in Havana in 1943. On December 6, 2017, Sotheby's sold Lam's A Trois Centimetres de la Terre (1962) for €4.44m ($5.24m), which established a new record price for the painter. "Wifredo Lam, Prints." "The Drawings of Wifredo Lam: 1940–1955. Cuba recalls on Friday the plastic artist Wifredo Lam, deemed the most universal of the country’s painters, on his death anniversary, which occurred in 1982. His work bordered a bit on Surrealism and Cubism. He reflected on the striking contrast between the frivolity of Havana's tourism and the miserable condition of the blacks in the countryside, for whom discrimination appeared to have worsened with Batista: “What I saw upon my return looked like Hell.” “All the drama of the colonialism of my youth resurfaced in me”. He left the small town of Sagua la Grande for Havana … Lam studied at the Professional School of Painting and Sculpture, San Alejandro Academy, in this capital. Cuba Counterpoints, Dec 1, 2016, "Centro de Arte Contemporáneo Wifredo Lam", Ediciones Vanguardia Cubana. In 1929, he married Eva Piriz, but both she and their young son died in 1931 of tuberculosis; it is likely that this personal tragedy contributed to the dark nature of his work. During this period of re-acquainting himself with the past, Lam also showed great interest for the new cultural developments. He was 80 years old and had been ill for years. EY refers to the global organization, and may refer to one or more, of the member firms of Ernst & Young Global Limited, each of which is a separate legal entity. University of Notre Dame, Notre Dame, January 8–22, 1961. In September 2016, Tate Modern will present a retrospective of the Cuban modernist painter, Wifredo Lam (1902–1982), the first museum exhibition in London since 1952. In discovering Lam's most recent paintings, Loeb saw this forced exile in a positive light. Opened in 1983, the Wifredo Lam Center for Contemporary Art (in Spanish: Centro de Arte Contemporáneo Wifredo Lam) is a state-run gallery in tribute to Lam and located in Havana, Cuba. Ordrupgaard, Charlottenlund (Denmark), September 14–October 15, 1978; Sonja Henie, Niels Onstad Foundation, Høvikkoden (Norway). Picasso also introduced him to Pierre Loeb, a Parisian art dealer; Loeb gave Lam his first exhibition at the Galerie Pierre Loeb in 1939, which received an enthusiastic response from critics. "The Cuban Painter Wifredo Lam."

"Wifredo Lam." The slave, exiled without objects, had only the option of singing, dancing or recounting poems and fables, Exposition Pierre Matisse Gallery, New York, 1942, Lam in his studio, Havana, Cuba, 1943, (The Jungle), Copyright © 2011 - 2018 SDO Wifredo LAM. Kleiber later brought over the composer Igor Stravinsky.

Tous droits réservés, It is important to remember that African art was forbidden in its representation or reproduction during the slave period in the Antilles; likewise, it was forbidden to weave or sculpt. His paintings have been exhibited at the Solomon R. Guggenheim Museum and the Museum of Modern Art. However, he disliked both academic teaching and painting. Cuba recalls on Friday the plastic artist Wifredo Lam, deemed the most universal of the country’s painters, on his death anniversary, which occurred in 1982. It is often compared to Picasso's Guernica, which is hung in the Museo Reina Sofía in Madrid. It was also a return to the old beliefs of his childhood. As a Latin American artist of Chinese, Spanish and African heritage, Lam lies between East and West, combining traditional practices, surrealist ideas and complete originality. From classically inspired studies such as Self-Portrait 1926, Lam moved towards works engaging with the European avant-garde movements such as surrealism, evident in works such as Composition I 1930. "Review: Multiculturalism in the Americas. Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. "Lam Paintings." Kunsthalle, Basel, September 10–October 9, 1966; "Wifredo Lam.". "Wifredo Lam." Wifredo Lam died on September 11, 1982, in Paris, aged 79. New Latin American Film Festival to be held in Cuba in December, Tokyo film festival taps 'power of the arts' to give courage amid pandemic, Between achievements and challenges, Cuban science aiming for more, Havana Club is thriving despite Trump administration's new measures, U.S. pays a high price to finance its mercenary opposition in Cuba, Gente de Zona in the Dependence Day to Miami, Diaz-Canel: Reinforcement of U.S. blockade seeks social explosion in Cuba, Embedded video for United States: Protests over police brutality. "[1] Lam gained the approval of Picasso, whose encouragement has been said to have led Lam to search for his own interpretation of modernism.[4]. The work was sold as part of the Alain and Candice Fraiberger collection. A new record was established on June 28, 2020 when Sotheby's auctioned Lam's "Omi Obini" for $9,603,800. "Wifredo Lam, gravuras," Caixa Cultural de Rio de Janeiro, Rio de Janeiro, October 22–January 3, 2010; Pinacoteca de Estado, São Paulo, February 27–May 2, 2010. Pierre Matisse Gallery, New York. In 1964, he was awarded the Guggenheim International Award and between 1966 and 1967 there were many retrospectives of his work throughout Europe.

Meanwhile, the maverick Russian violinist Jascha Heifetz joined the orchestra, giving Lam the occasion to meet him. [1], While Lam began simplifying his forms before he came into contact with Picasso's work, it is apparent that Picasso had a significant impact on him. All rights reserved. [5] Picasso and Lam also exhibited their work together at the Perls Galleries in New York in the same year.

Pierre Matisse Gallery, New York. On 14 November Katy Wan will host an hour-long tour of the exhibition.BSL Tour: The EY Exhibition: Wifredo Lam 7 October 2016 at 19.00–20.00 (Free) Tate Modern, in the exhibition This tour will explore Lam’s relationships with artists and writers such as Pablo Picasso and André Breton. A tall, gaunt, man whose full name was Wilfredo Oscar de la Concepcion Lam y Castilla, he was born in Sagua la Grande. Drafted to defend Madrid, Lam was incapacitated during the fighting in late 1937 and was sent to Barcelona.

He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. [6] In 1943, he began his best-known work, The Jungle. Museo Nacional de Arte Contemporaneo, Madrid, October 20–December 12, 1982; Musée d'Ixelles, Brussels, January 7–March 6, 1983; Musée d'Art Moderne de la Ville de Paris, Paris, March 23–May 22, 1983. He quickly gained the support of Picasso, who introduced him to many of the leading artists of the time, such as Fernand Léger, Henri Matisse, Georges Braque and Joan Miró. Just as the MoMA of New York bought La Jungla and hung it alongside a no less important work – Picasso's Les Demoiselle d'Avignon – Sagua la Grande nominated Lam the title of “citizen of honor.” He chose to be present for the ceremony and used the occasion to show Helena around his birthplace of Sagua. [1] In 1941, Breton, Lam and Claude Lévi-Strauss, accompanied by many others, left for Martinique, only to be imprisoned. Mabille steered Lam to hermetic texts which, according to his new theory, had a link to the practices of voodoo (Paracelse; Martínez de Pasqually; Louis-Claude de Saint-Martin). At the encouragement of Asger Jorn and after being intrigued by the local pottery-making, Lam began to experiment with ceramics and had his first ceramic exhibition in 1975. Despite the fact that the New York exhibition of La Jungla in 1944 had created a scandal, he approached his subject with absolute freedom. Wifredo Lam was born and raised in Sagua La Grande, a village in the sugar farming province of Villa Clara, Cuba. Afterwards, he traveled to Europe on a scholarship, establishing his residence first in Spain, then in France. Death became part of his world, never to leave it, an insistent presence within reality, soon evoked in the form of apparitions and the ghosts of the Spanish Civil War. His sister Eloísa, very well versed in the cults of Santería, arranged for the group to attend initiation ceremonies and ceremonial dances to the sound of the beating drums.


Havana had changed “with its white capitol, the mark of America, its banks, its palaces, its luxurious European shops.” The city flourished but it was all mercantilism and the cultural climate was deplorable, dominated by art that was either overly academic or folkloric. Wifredo Lam was a highly respected artist during his lifetime, and to this day, his lithographs alone are worth thousands of dollars. Havana, Sep 11 (Prensa Latina) Cuba recalls on Friday the plastic artist Wifredo Lam, deemed the most universal of the country's painters, on his death anniversary, which occurred in 1982.


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