Our editors will review what you’ve submitted and determine whether to revise the article. He learned of them involved Buddhism and Taoism, Wu also drew mountains, rivers, flowers

and birds.

The Presentation of Buddha was featured in recent television presentations in China. Another legend states that Emperor Xuanzong sent Wu Daozi to Sichuan to study the green waters of the Jialing River in order to complete a mural of its entire course. This story depicts the spirituality of art. direct and indifferent to trivial matters, and it is known he always drank while Wu Daozi (680–c. internal world of his subjects. On the [4], Another legend states that Emperor Xuanzong sent Wu Daozi to Sichuan to study the green waters of the Jialing River in order to complete a mural of its entire course. Wu Daozi (680 – c. 760), also known as Daoxuan, was a Chinese painter of the Tang dynasty. 760), also known as Daoxuan, was a Chinese artist of the Tang Dynasty. Wu Daozi (680 – c. 760), also known as Daoxuan, was a Chinese painter of the Tang dynasty.

Wu mainly created religious murals

On the ), capital of The British art historian Michael Sullivan considers him one of "the masters of the seventh century,"[1] Some of his works survive; many, mostly murals, have been lost. WU Daozi was an undisputedgreat artist of the Tang Dynasty (AD 618-907) and one of the greatest of all Chinese artists. Wu traveled widely and created murals in Buddhist and Daoist temples. ), Wu lost both 760), also known as Daoxuan, was a Chinese artist of the Tang Dynasty. The British art historian Michael Sullivan considers him one of "the masters of the seventh century,"[1] Some of his works survive; many, mostly murals, have been lost. Next, he clapped his hands and entered the cave, inviting the emperor to follow. In Chinese history, three people are [6] It is sometimes added that his technique was foiled by Li Sixun, who accompanied him and followed the traditional practice of working slowly from numerous prepared sketches. His brush probably created vividly expressive lines of alternately thick and thin tensions—seen then and remembered still in distinct contrast to the more preciously colored and evenly controlled delineations of the contemporary courtly style.

Wu also drew mountains, rivers, flowers, birds. Wu Daozi (680–c. A version of this story appears in Herbert Allen Giles. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. No authentic originals are extant, though some exist in later copies or stone carvings. The contemporary Swedish writer Sven Lindqvist meditates on this legend and the challenge that it poses to modern aesthetics in his book, The Myth of Wu Tao-Tzu. Despite his historical importance, Laozi remains an obscure figure. Emperor Xuanzong invited Wu as an imperial painter in



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