38105 images are available with authorization; Waiting for Guests by LamplightMa Lin (1194-1264), Second leaf from the album "Wan-shan hua-ts'e", Viewing Plum Blossoms by MoonlightMa Yuan (1190–1225), ScholarAnonymous, Song Dynasty (960-1279), First leaf from the album "Li-tai hua-fu chi-ts'e", Fourth leaf in the album "Li-tai Hua-fu-Chi", Shrike on Lychee BranchAnonymous, Song Dynasty (960-1279).

People affiliated with the University of Michigan can log in to view them. The style is elegant and straightforward, much in the tradition of the Southern Sung (1127-1279) academic mode. var sc_invisible=1; asymmetrical composition, yet balanced. fan mounted as an album leaf, ink, and color on silk. College of Arts, Sciences, and Letters (UM-Dearborn), fan mounted as an album leaf, ink and color on silk, New York, New York, Metropolitan Museum of Art, Gift of John M. Crawford Jr., in honor of Alfreda Murck, 1986, © 2020, Regents of the University of Michigan. Ma Yuan (Chinese: 馬遠; pinyin: Mǎ Yuǎn; Wade–Giles: Ma Yüan; c. 1160–65 – 1225) was a Chinese painter of the Song dynasty. To request a reply, please provide your email address. 1190–1225) Date: early 13th century Medium: Fan mounted as an album leaf; ink and color on silk Accession: 1986.493.2 On view … Close examination of the hairstyles shows that some are combed in one direction on top (so-called "falling topknots"), while others are combed in two directions and tied into knots by the ears ("side knots"). His works, together with that of Xia Gui, formed the basis of the so-called Ma-Xia (馬夏) school of painting, and are considered among the finest from the period. Fontes E Caligrafia. Ma Yuan | Viewing plum blossoms by moonlight | China | Southern Song dynasty (1127–1279) | The Met. Arte. Does this artist work with imperial patrons. With different hair ornaments, one of them even wears a "floral headdress." endpage(1); Caligrafia Chinesa.
1190-1225). Tu Chin’s fine brush style, as seen in the figures here, greatly influenced the style of T’ang Yin starting from the middle of his career. 1190-1225). Viewing Plum Blossoms by Moonlight Ma Yuan (1190–1225) Ink and color on silk. ), How does this painting reflect daoist and Confucian perspective, following the way, or the path of nature to find balance and happiness (see #1 of 8-5), Southern Song dynasty (between 1190-1230). this tumultuous time in china led to his unpopularity. Fan mounted as an album leaf. What is the subject matter in the painting. _in("n","arti","ar01","ar0104","cc"); Emperor Hui-Tsung, whose real name was Chao Chi, was the last emperor of the Northern Sung Dynasty. Ma Yuan; 9 7/8 in.x 10 33/64 in. There is no signature or seal.

lyrical painting (poetic mood, as opposed to awe-inducing monumental painting. Incorrect response to captcha.
This work bears no seal or signature of the artist. Representing the appreciation of antiquities, it depicts the leisurely activities of zither, chess, calligraphy, and painting associated with literati. ; fan mounted as an album leaf, ink and color on silk Does this artist work with imperial patrons Yes, he painted in the southern region which at the time was full of refugees from northern china. Ma Yuan came from a prominent painting family. Landscape- A man gone out for a moonlight walk, he stops in his path to appreciate a plum tree. His grandfather, father, uncles, and son all served in the imperial Painting Academy. An inscription on the facing leaf by Chu Chih-pu reads: [Hsu] Hsi's painting of birds, fishes, flowers or trees wasequal to the marvels of creation.As for the air and marrow of his works,they often rivaled those of Huang Chuan and Chao Chang.His paintings were mostly done on Cheng-hsin-tang paper.Mi [Fu] Yuan-chang used to saythat the silk Hsu used was like cotton cloth. Scholar Anonymous, Song Dynasty (960-1279) Ink and color on silk. Originally, this work may have been two hanging scroll panels mounted as a standing screen. . descriptions are openly available. However, the original title slip reads, "Picture of A Palace Concert by a Yüan (1279-1368) Artist." Luar.

Ma Yuan Chinese On view at The Met Fifth Avenue in Gallery 212 Crafted as carefully as the regulated verse of a Tang dynasty quatrain, Ma Yuan's Viewing Plum Blossoms by Moonlight is a visual poem evoking a complex sense of time, place, and mood. Guardado por VirtuAule English Language System. Guardado a partir de 1.bp.blogspot.com. this tumultuous time in china led to his unpopularity. The original label had attributed the painting to the 10th century master Hsu Hsi. var sc_project=1478308; For these reasons, this painting ought to be reattributed to the T'ang. If you cannot decipher the captcha, please click the reload or sound button in the captcha box. Viewing plum blossoms by moonlight Artist: Ma Yuan (Chinese, active ca. var sc_security="f068d9d4". Auspicious CranesEmperor Hui-Tsung (1082-1135). Dec 23, 2015 - Viewing Plum Blossoms by Moonlight by Ma Yuan (active ca. Yes, he painted in the southern region which at the time was full of refugees from northern china. Landscape- A man gone out for a moonlight walk, he stops in his path to appreciate a plum tree. Captcha has been reloaded. Viewing Plum Blossoms by Moonlight by Ma Yuan (active ca. 1160–1225) was an influential Chinese landscape painter of the Song dynasty whose work, together with that of Xia Gui (夏珪), formed the basis of the Ma-Xia School of painting. What hallmarks of ma yuan's style are visible in the painting, the way the jagged rocks are depicted, the tree branches are angular, asymmetry most of all. 3. These all correlate with ladies' fashions in the T'ang dynasty. Inscription: Artist's signature (2 characters in standard script)Ma Yuan馬遠Collector's sealsGu Luofu顧洛阜 (John M. Crawford, Jr., 1913–1988)Gu Luofu 顧洛阜Hanguang Ge 漢光閣 . var sc_partition=13; Ma Yuan (馬遠, ca. An inscription by the Chien-lung Emperor is omitted. First leaf from the album "Li-tai hua-fu chi-ts'e" Cat Anonymous, Song Dynasty (960-1279) Ink and color on silk. A Palace ConcertAnonymous, Tang Dynasty (618-907). The woven bamboo-top table, cusped crescent stools, winged wine cups, and the way the lute is being played with a large pick all accord with late T'ang customs. Caligrafia. Send comments on this collection to E-mail Help. Explorar.


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