It may also be done backward with the leg raised either croisé or effacé devant. All content on this website, including dictionary, thesaurus, literature, geography, and other reference data is for informational purposes only. A développé is a movement in which the working leg is drawn up to the knee of the supporting leg and slowly extended to an open position en l’air and held there with perfect control. In this position the feet form one line, heels touching one another. This fouetté may also be executed from a preparation starting with a pas de bourrée en dedans and finishing with a coupé dessous, opening the working leg to quatrième devant. As, for example, in assemblé en tournant. Both knees must be kept straight. The petits battements are: Battements tendus, dégagés, frappés and tendus relevés: stretched, disengaged, struck and stretched-and-lifted . The turn may be performed either en dedans or en dehors. Écarté is one of the eight directions of the body, Cecchetti method. See Jeté en tournant en avant, grand (Cecchetti method).

Through common usage the term has become abridged to développé. This pirouette is usually performed by male dancers. Ballet Theatre Foundation, Inc. is a registered 501(c)(3) organization. If the échappé is done in the second position the R foot may be closed either front or back. This pose may be taken devant or derrière, either à terre or en l’air. First position (Première position):

Saut de basque may also be performed with a double turn in the air. Note: In all jumping movements the tips of the toes should be the first to reach the ground after the jump, then the sole of the foot followed by the heel. The two fundamental positions of épaulement are croisé and effacé. The head is raised slightly and turned toward the raised arm so that the eyes look into the palm of the hand. In its most basic form, when someone performs a plié they simply bend their knees. There are three ways of reaching the points, by piqué, relevé or sauté. The torso is held perpendicular. ‘E’ is for Eleve’ – Dance Terminology A – Z. January 15, 2015 by Northland School of Dance.

The other foot, which is pointed a few inches from the floor, slides into the fifth position in demi-plié. Raised. Petit jeté is done dessus, dessous, en avant, en arrière and en tournant. See Battement en cloche, grand. For example, pas de bourrée. There are two kinds of échappés: échappé sauté, which is done with a spring from the fifth position and finishes in a demi-plié in the open position, and échappé sur les pointes, or demi-pointes, which is done with a relevé and has straight knees when in the open position. Even-numbered entrechats are done en face or en tournant, while odd-numbered entrechats are done devant, derrière, en tournant, the côté or de volée. A bending of the knee or knees. Large battement like a bell. The step is usually done in a series either en manège or en diagonale. It is a jump from both feet onto one foot with the exception of sissonne fermée, sissonne tombée and sissonne fondue, which finish on two feet.
Relevé is a step that builds a lot of strength in a dancer’s feet, calves, and thighs that allows him or her to do many types of jumps and turns. Fifth position R foot front (L hand on bar, R arm in second position). As, for example, in sissonne fermée en vant. See Battement relevé lent. The shoulders must be held square to the line of direction. In ballet it is a position of the body, in profile, supported on one leg, which can be straight or demi-plié, with the other leg extended behind and at right angles to it, and the arms held in various harmonious positions creating the longest possible line from the fingertips to the toes. Refers to grands battements executed continuously devant and derrire through the first position. Closed sissonne. See also related terms for pupil.

The petites sissonnes are sissonne simple, sissonne fermée, sissonne ouverte at 45 degrees and sissonne tombée at 45 degrees. The grandes sissonnes are sissonne ouverte at 90 degrees, sissonne renversée and sissonne soubresaut. On the “upbeat” the R foot is drawn in an arc to the fourth position back (the head turns forward) and the dancer begins a series of ronds de jambe à terre en dehors. However, only the relevé requires a demi-plié.

Cabriole may be done devant, derrière and à la seconde in any given position of the body such as croisé, effacé, écarté, etc. Demi-plié and, with a little spring, open the feet to the second or fourth position sur les pointes.

The body and head should come into play and a suggestion of épaulement should be used. The term is usually abbreviated to changement. Also used in the singular, “sur la demi-pointe.”. A term of the French School used to indicate that the dancer turns slowly in place on one foot by a series of slight movements of the heel to the required side while maintaining a definite pose such as an arabesque or attitude. The other foot then pushes away from the floor so that both knees are straight and both feet strongly pointed for a moment; then the weight is shifted to the working foot with a fondu. A French term used for a pupil or scholar. Entrechats are divided into two general classes: the even-numbered entrechats, or those which land on two feet– deux, quatre, six, huit and dix– and the odd-numbered entrechats, or those which land on one foot– trois, cinq, sept and neuf.
This position corresponds to the fifth position en bas, Cecchetti method. A dancer can plié in different positions, such as first position, or land a jump in a plié and even go en pointe on plié. The dancer tries to remain in the air in a definitely expressed attitude or arabesque and descends to the ground in the same pose.

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