(213) 485-1681. Five Years Later: The Best Music of 2013.

The Irish Buddhist: by Alicia Turner, Laurence Cox, Brian Bocking, To the Friend Who Did Not Save My Life: by Hervé Guibert, Damnation: Poppy’s Inferno: by Moriah Rose Pereira and Ryan Cady. Yeah, the sandman cometh. dojo.connect( Freedom Repertory Theater/Painted Bride production at the Painted Bride, 230 Vine St., through May 23, 215-978-8497 or 215-925-9914. Spike had always been supportive of my work on stage and we immediately began talking about how we might document A HUEY P. NEWTON STORY on film. The performance was shot over three days, with special set-ups for "blue screen" and other special effects. Keywords

All Rights Reserved. Get Cozy and Stylish With the 25 Best Sweatpants for Men. As a result, “A Huey P. Newton Story” may dismay some observers on both sides of an ongoing Black Panther debate. Not every change is for the better. It was ominously illuminated while Marc Anthony artfully manipulated a prologue, which concluded with a scratchy recording of Macbeth's "Tomorrow and tomorrow and tomorrow", soliloquy, one of Huey's favorite literary passages.

Subject I said, "Listen, if I'm ever foolish enough to get up on stage at the Apollo Theatre, they wouldn't need to assassinate me. I was therefore required to "imagine" Marc Anthony's score, some of which was faithful to what he'd created for the play, but much of which was executed in postproduction. To play Huey P. Newton in the Bay Area while he was still so fresh in the hometown memory was truly trial by fire. David Welle responded with an enormous open frame, suspended above a matching metallic platform, which held the institutional chair, microphone stand, and an ashtray. Subject Phrase Marc Anthony Thompson was enlisted to enjoin archival sounds and voices with original composition in his Low Blood Studio in New York City. San Francisco's Solo Mio Festival afforded an opportunity to stage A HUEY P. NEWTON STORY as a work in progress in September 1994. Claudia Trent: I agree with you.

His contribution to HUEY is inestimable. Smith's characterization of Newton is brimming with charisma, brilliance, and a looming intensity that surges forward when we least expect it. From the moment the play starts, whether it be with a twitch, shake, or stomp, Smith shows us the effects of drug addiction, pressure, and restless energy on his revolutionary leader. A Huey P. Newton Story. Of course, as the title suggests, this is just one among many possible interps. On stage, it was a fairly loose performance, stretching in whatever ways Smith and Thompson choose to take it. The entire movie is Huey P. Newton (played by Smith), the founder of the Black Panther's, sitting in a chair on stage. What’s more, Lee had established a newly modified career track that found him alternating between the fiction films for which he was best known and documents of stage performances, having filmed John Leguizamo’s Freak and the concert film The Original Kings of Comedy. And this friend of his got a good job with the Oakland Public Works Department, something like that, but he quit that job cause he took a new job with the Oakland Police Department.… My father broke friendship with him, not because he joined the police force…; he broke his friendship with him because his friend was only allowed to arrest black people. Title Phrase 3 p.m. Feb. 10-Mar. (Newton died in 1989, shot to death in a street confrontation evidently related to crack addiction.) The insertion of documentary imagery in postproduction necessitated the use of huge screens, against which takes of the performance were taped. Contributor But despite our achievements both collectively and individually, and the success of the play, A HUEY P. NEWTON STORY, starring Roger Guenveur Smith and directed by Spike Lee, was not to be an easy sell. The film version of A Huey P. Newton Story (which played some film festivals but was primarily created to be shown on PBS) represented a series of closing doors for Smith. It's like listening to two soundtracks at times—Thompson's music and the soundscape created by Smith's voice. For the film version, which would stand as the definitive version of the production after all others took up residence only in fading, faulty memories, Smith opted for a 90-minute monologue, honing a shooting script to be performed for Lee’s cameras at the Angel Orensanz Cultural Arts Center in Manhattan’s Lower East Side. We'd not used the slides of Huey's photographs since our Magic/Oakland Ensemble run. The staging of the piece puts Smith as Newton on a lone chair in the middle of a metal platform with nothing more than a microphone, a pack of cigarettes and a few scraps of notebook paper in his pocket. His chain-smoking memory-rap drifts from bittersweet Oakland childhood memories to prison incarceration. Revealing a larger historical background is Marc Anthony Thompson's sound design, which also functions as a supporting character.

I felt that we were on the right path. Roger Guenveur Smith's masterful play returns to Los Angeles, and it offers a haunting and mesmerizing look at one of the late co-founders of the Black Panther Party. Media Type Phrase It’s not just an unappealing swerve for a production built on fire and echoes of indignities past, but one that needs to abruptly cross five lanes of traffic to get to the place Smith wants it to finish.

dojo.byId( 'basic_search' ).submit(); This would be the case at the Public. Roger Guenveur Smith delivers a provocative bio sketch in "A Huey P. Newton Story." function( evt ){ One night I sought solace and inspiration with a pilgrimage to the exterior of Huey's Oakland penthouse.

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